country music press release

DON McLEAN AND ALICIA KEYS HONORED WITH NRNY ARTSY MURALS IN NEW ROCHELLE, NEW YORK

Alicia Keys & Don McLean Mural

Photo courtesy of @just_a_spectator

Street Art For Mankind dedicates murals today in New Rochelle, N.Y.

New Rochelle, N.Y. – The City of New Rochelle, along with the New Rochelle Council on the Arts revealed spectacular – and huge – murals curated by Street Art for Mankind (SAM) today in a ceremony taking place at Southside Plaza (134 North Avenue, New Rochelle).

The 60-foot tall artistic murals reflect the unique creativity, diversity, and forward-thinking of the New Rochelle community. Two of the murals already done and available for viewing are of New Rochelle born hitmaker Don McLean and New York state Icon Alicia Keys, both are the only music artists honored with murals and were created by Miami-based street artist Loic Ercolessi.

“I am thrilled and honored that New Rochelle has selected me to represent them for artistic creativity,” says Songwriter Hall of Fame member Don McLean. “I love the community, in which, I was raised and return every chance I get.”

During the month of October, prominent street artists from all around the world came to downtown New Rochelle to create the first in a series of eight murals. With their unique artistic talent and sensitivity, they will color NRNY walls to pay a tribute to the history and values that shape this community, creating a flavorful modern-day melting pot.

“The NRNY murals are big, bold, creative and fun. Diverse in style yet complementary, all together they testify of the unique personality of New Rochelle,” commented Audrey and Thibault Decker, cofounders of SAM.

In addition, other themes illustrated will be:
• Artistic Creativity – already announced as McLean and Keys
• Gender Equality (tribute to local suffragettes and the centennial in 2020 of US women’s right to vote
• Harmony between urban life and nature
• New Rochelle’s NYC vibe
• Cultural Diversity that unites New Rochelleans
• Sustainability efforts made by the city
• People Connecting in a world where social media and technology are omnipresent
• Forward Looking NRNY, full of dreams to meet the future.

Themes were put together by SAM in collaboration with the New Rochelle Council of the Arts.

Mayor Noam Bramson said, “New Rochelle is thrilled to work with Street Art for Mankind to further enliven our downtown streetscape. These murals bring beauty and creative energy to previously blank spaces, as part of our comprehensive commitment to a culturally vibrant city center.”

Don McLean On Tour:
NOV 07 – Beach Point Club / Mamaroneck, N.Y.
NOV 16 – Arlington Music Hall / Arlington, Texas.
NOV 21 – City Winery / Chicago, Ill.
NOV 22 – The Newton Theater / Newton, N.J.
DEC 13 – Capitol Theatre / Clearwater, Fla.
DEC 14 – The Clubhouse at Valencia Shores / Lake Worth, Fla.

2020
JAN 19 – 30A Songwriters Festival / Miramar Beach, Fla.
FEB 29 – Sugar Loaf Performing Arts Center / Sugar Loaf, N.Y.
MAR 28 – Union Colony Civic Center / Greeley, Colo.
APR 17 – Kirkland Performance Center / Kirkland, Wash.
MAY 01 – Walt Disney World Resort / Orlando, Fla.
MAY 02 – Walt Disney World Resort / Orlando, Fla.
MAY 06 – Living Arts Center / Mississauga, Canada
MAY 09 – Keswick Theater / Glenside, Pa.
MAY 15 – The Suffolk Theatre / Riverhead, N.Y.
MAY 16 – City Winery / Boston, Ma.
AUG 15 – The Birchmere / Alexandria, Va.
AUG 21 – Martin Luther King Jr. Arena with Alabama / Savannah, Ga.
AUG 22 – Hertz Arena with Alabama / Estero, Fla.
**Click here for Don’s most updated tour calendar

About Don McLean:
A New York native, Don McLean is one of the most revered and respected songwriters in American history. After paying his dues in the New York club scene in the late ‘60s, he went on to score mega-hits like “American Pie,” “Vincent (Starry, Starry Night),” “Castles in the Air” and many more. In 2004, McLean was inducted into the Songwriters Hall of Fame by country superstar Garth Brooks. In 2000, “American Pie” was named one of the Top 5 Songs of the 20th Century by the RIAA and in 2002 was inducted into the GRAMMY Hall of Fame. In 2015, one of McLean’s four handwritten manuscripts of the lyrics to “American Pie” was auctioned by Christies, selling for just over $1.2 Million. 2017 brought a huge honor when his iconic song was inducted into the Library of Congress’ National Recording Registry, joining less than 500 works including “Somewhere Over the Rainbow.” With over 40 gold and platinum records worldwide, McLean’s prowess for writing timeless songs was again captured on his 2018 album, Botanical Gardens, as he artfully weaves country, Americana, folk, and boot stomping rock for an eclectic, yet American sound that he is known for.

# # #

Suggested Tweet:
.@DonMcLeanonline & @AliciaKeys honored with 60 foot artistic #NRNYMurals by street artist #LoicErcolessi in hometown of @newrochelleny by @SamExhibition
Alicia Keys and Don McLean mural
Click to download high res artwork
Time lapse video of street artist Loic Ercolessi painting the mural
Time lapse video of street artist Loic Ercolessi painting the mural

country music press release

Don Williams: Music & Memories Of The Gentle Giant Closes Out Premiere Weekend With Surprise Appearance By Show Curator Keith Urban

Don Williams: Music & Memories Of The Gentle Giant Closes Out Premiere Weekend With Surprise Appearance By Show Curator Keith Urban

Pictured L-R: Robert Pratt, Don Williams’ longtime manager and Keith Urban, curator.

Photo by Jeremy Westby / 2911 Media
Keith Urban with Don Williams’ band & crew
Pictured L-R: Mark Johnson (bass), Billy Sanford (fmr. guitarist), Mike Noble (guitar & band leader), Jesse Benfield (editor & playback), Keith Urban (curator), John Gardner (drums), Chris Knoll (keyboards & accordion), Steve Peavey (guitar).

Photo by Jeremy Westby / 2911 Media
NASHVILLE, Tenn. – Over a three-day period, country music history was made as Don Williams: Music & Memories of The Gentle Giant premiered at the Schermerhorn Symphony Center with the Nashville Symphony, original members of Don’s band and never before seen video footage of Don Williams live in concert from around the world.

As the show opened, those in attendance gazed at the 25-foot wide video screen, which flashed album covers, photos and footage highlighting Don’s nearly 50-year career in country music all while the Nashville Symphony performed a specially crafted overture. Keith Urban, who made a surprise appearance on Saturday night to watch the show he curated, popped up on the video screen to explain the concept of the show and to set the tone of the evening on what people would be witnessing. Then the night came to life!

Members of Don’s touring band, 5 in total, along with the Nashville Symphony kicked off a night of music that included twenty-five of Don’s most recognizable songs. From “Good Ole Boys,” to “Some Broken Hearts (Never Mend),” to “Tulsa Time,” to “I Believe In You,” all songs showcased just how powerful Don’s baritone voice, laid back personality and delivery of songs inspired and affected people of all backgrounds while proving that music has no boundaries. The video footage, which came from Africa, Ireland, and Branson, spanned from the 1980’s to 2014 and highlighted Don’s massive international appeal.

Thursday night featured special guests Trace Adkins and Tracy Lawrence, Friday night featured Victoria Shaw, and Saturday night featured Eric Paslay. Sara Evans fell ill and was unable to attend, although previously announced.

“When first hearing the concept of this show, it was hard to comprehend bringing a show together with the original band, a full symphony and Don Williams on a big screen and it actually working,” says Adam Marshall, a fan who attended all three nights. “I just didn’t understand it, but as a Don Williams fan I wanted to see it. After the first night I bought tickets for the next two shows. When I closed my eyes, I truly believed Don was sitting on his stool and singing to me live on stage. A few times during the show it was very chilling and surreal, especially towards the end when Don interacts with the audience as if he was really there performing and the audience was singing back to him.”

Much like the touring shows that involve Elvis, Roy Orbison and others, Don Williams will hit the road in 2020 breaking boundaries and making the Country Music Hall of Famer the first country artist to tour post-death.

About Don Williams:
Williams first came to prominence in the 1960s as a member of the folk group The Pozo-Seco Singers. The trio recorded several hit records, with the biggest being “Time.” By 1971, Williams had gone solo, and had signed a publishing deal with Jack Clement. The Hall of Fame producer was so taken with Don’s style that he offered him a recording contract with his JMI Records in 1972. Early hits included “Atta Way To Go” and “Come Early Morning,” as well as “We Should Be Together,” which became his first Billboard top ten hit from 1974. He then moved to ABC / Dot (Later MCA), where the hits increased. Tracks such as “Rake and Ramblin’ Man,” “Tulsa Time,” and “Nobody But You” helped to make him one of the most-played artists on Country Radio in the 1970s and 1980s. He took home the Male Vocalist of the Year trophy from the Country Music Association in 1978, and notched his biggest hit in 1981 with “I Believe In You,” which also crossed over to the top-30 on the Hot 100.

Subsequent moves to Capitol Nashville and RCA kept Williams on the charts into the 1990s, as he continued to play for huge crowds on the road. His success in the United States is well-documented, but the music of Don Williams has made him an international star – with followings in such places as Africa, England and New Zealand. He has placed 52 singles in the top-40 on the Country charts in the United States, with 17 going all the way to the top spot. Williams was a member of The Country Music Hall of Fame and The Grand Ole Opry. Williams appeared in the films W.W. and the Dixie Dancekings and Smokey & The Bandit II with Burt Reynolds.
Don Williams
Don Williams
Don Williams
Don Williams: 1978
WATCH: Don Williams Live [VIDEO] Don Williams: Music & Memories publicity contacts:
Jeremy Westby, jpw@2911.us, 833-537-2911 x800
Jason Ashcraft, jason@2911.us, 833-537-2911 x801

Don Williams: Music & Memories tour booking:
Keith Naisbitt, knaisbitt@apa-agency.com, 615-312-2921

department of justice

U.S. Navy Officer, His Wife, and Two Chinese Nationals Charged with Conspiring to Smuggle Military Style Inflatable Boats and Evinrude Military Outboard Motors to China

Department of Justice
Office of Public Affairs

FOR IMMEDIATE RELEASE

Friday, November 1, 2019

U.S. Navy Officer, His Wife, and Two Chinese Nationals Charged with Conspiring to Smuggle Military Style Inflatable Boats and Evinrude Military Outboard Motors to China

Assistant Attorney General John C. Demers and U.S. Attorney Maria Chapa Lopez for the Middle District of Florida announces the return of an indictment today of four individuals, including two Chinese nationals, an active-duty United States Navy officer, and his wife, on charges relating to a conspiracy to unlawfully smuggle military-style inflatable boats, with Evinrude MFE military outboard motors, to the People’s Republic of China. The Navy officer and two other defendants have also been charged with conspiring to violate firearms law, and the Navy officer has been charged with an additional firearms-related offense and with making false official statements.

The four defendants charged in the indictment are:

Fan Yang, 34, a naturalized citizen of the United States and Lieutenant in the United States Navy residing in Jacksonville, Florida; Yang Yang, 33, wife of Fan Yang, and a naturalized citizen of the United States residing in Jacksonville, Florida; Ge Songtao, 49, a citizen and resident of the People’s Republic of China; and Zheng Yan, 27, a citizen and resident of the People’s Republic of China.

The defendants were arrested on Oct. 17, 2019, and are currently detained.

All four defendants have been charged with conspiring to submit false export information and to fraudulently attempt to export articles from the United States. Additionally, Yang Yang, Ge Songtao, and Zheng Yan have been charged with causing the submission of false and misleading information into the U.S. Automated Export System, and fraudulently attempting to export seven vessels and eight engines. If convicted for conspiracy or for the submission of false export information, the charged defendants each face a maximum penalty of five years in federal prison. If convicted on the attempted-smuggling charge, the defendants each face a maximum sentence of 10 years in federal prison.

Fan Yang, Yang Yang, and Ge Songtao are charged with other offenses as well. All three have been charged with conspiring to violate laws prohibiting an alien admitted under a nonimmigrant visa from possessing a firearm and prohibiting the transfer of a firearm to a nonresident. Fan Yang has also been charged with making a false statement to a firearms dealer, which carries a maximum penalty of 10 years’ imprisonment, and with making false official statements in his application for a security clearance, which carries a maximum penalty of five years’ imprisonment.

An indictment is merely a formal charge that a defendant has committed one or more violations of federal criminal law, and every defendant is presumed innocent unless, and until, proven guilty.

This case was investigated by the FBI, the U.S. Naval Criminal Investigative Service, the U.S. Department of Commerce, Bureau of Industry and Security; and the U.S. Bureau of Alcohol, Tobacco, Firearms and Explosives. It will be prosecuted by Assistant United States Attorney Michael Coolican and Heather Schmidt, Senior Trial Attorney, Counterintelligence and Export Section, U.S. Department of Justice.

consumer

CONSUMER FINANCIAL PROTECTION BUREAU RELEASES REPORT ON THIRD-PARTY DEBT COLLECTIONS

FOR IMMEDIATE RELEASE:
July 18, 2019

MEDIA CONTACT:
Office of Communications
Tel: (202) 435-7170

CONSUMER FINANCIAL PROTECTION BUREAU RELEASES REPORT ON THIRD-PARTY DEBT COLLECTIONS

WASHINGTON, D.C. – The Consumer Financial Protection Bureau (Bureau) released a report today that found that more than one-in-four consumers with a credit report have at least one debt in collection by third-party debt collectors.

Today’s report, which covers 2004 to 2018, is drawn from the Bureau’s Consumer Credit Panel (CCP), a nationally representative sample of approximately 5 million de-identified credit records maintained by one of the three nationwide credit reporting companies. Close to 900 third-party debt collectors furnished collection tradelines in the CCP. A tradeline is information about a consumer account that is sent, generally on a regular basis, to a credit reporting company. Tradelines contain data such as account balance, payment history, and status of the account.

Today’s findings show that more than one-in-four consumers (28 percent) with a credit report in the CCP in 2018 had at least one third-party collections tradeline on their file. The study also found that more than three-out-of-four third-party collections tradelines are for non-financial debt. More than half (58 percent) of these tradelines are for medical debt and another 20 percent for telecommunications or utilities debt. Positive payment information is generally not furnished for medical or telecommunications debt.

Banks and other original creditors may collect their own debts or hire third-party debt collectors. In some instances, the original creditors may sell the debts to debt buyers. The buyers may try to collect on these debts, or hire other third-party debt collectors. There are approximately 9,330 debt collectors and debt buyers in the United States.

“Market Snapshot: Third-Party Debt Collections Tradeline Reporting” can be found at: https://content.consumerfinance.gov/data-research/research-reports/market-snapshot-third-party-debt-collections-tradeline-reporting/

The Consumer Financial Protection Bureau is a 21st century agency that helps consumer finance markets work by regularly identifying and addressing outdated, unnecessary, or unduly burdensome regulations, by making rules more effective, by consistently enforcing federal consumer financial law, and by empowering consumers to take more control over their economic lives. For more information, visit consumerfinance.gov.

country music press release

National Indian Gaming Association Chairman Ernie Stevens, Jr., issues a statement as the House passes bill condemning President Donald Trump’s divisive comments

FOR IMMEDIATE RELEASE
July 17, 2019

National Indian Gaming Association Chairman Ernie Stevens, Jr., issues a statement as the House passes bill condemning President Donald Trump’s divisive comments

Washington, D.C. – July 17, 2019 –National Indian Gaming Association Chairman Ernie Stevens, Jr., issued the following statement after the passage of House Resolution 489, regarding President Trump’s divisive comments directed at Members of Congress.
“The National Indian Gaming Association denounces the comments directed towards respected female Members of Congress. They are American citizens, duly elected by their fellow citizens, and they deserve better treatment from the Office of the President. Coming off of a historic election where the first two female Native Americans were elected to the Congress, we should be honoring the strength of this Country represented by one of the most diverse Congress’ in this Nation’s history.
The idea of America would not have been possible if it weren’t for the fact that Native Nations welcomed the first European settlers fleeing their home countries for a better life. The original sin of slavery and hatred directed at groups of immigrants stunted our growth.
For Indian Country, the violation of treaties, theft of lands, and devastating genocide against Native peoples left an indelible stain on the Nation’s honor. The xenophobic federal policies of forced assimilation authorized the government-sanctioned separation of Native children from their families where they were forbidden from speaking their language or practicing their religion.
Urging certain groups to return to their countries of origin conjures up the dark images of this Nation’s past injustices and intolerance.
Today’s United States of America is better than our past. We are a Nation of diverse and multi-racial citizens who seek the common goal of Equality and Dignity as a united people.
While our government has not always adhered to it, the foundation of the United States rests on a notion that all people are created equal with the ability to determine our own destiny. We owe it to all of our ancestors, indigenous and immigrant, to strive every day to live up to the inherent promise of our Nation’s foundation: The United States is a home for all who strive for equality regardless of color, sex, or ethnicity. May the Creator bless the United States of America and its enduring principles shared by all citizens of this great Nation.”

About the National Indian Gaming Association

The National Indian Gaming Association (NIGA), established in 1985, is a non-profit organization of 184 Indian Nations with other non-voting associate members representing organizations, tribes and businesses engaged in tribal gaming enterprises from around the country. The common commitment and purpose of NIGA is to advance the lives of Indian peoples economically, socially and politically. NIGA operates as a clearinghouse and educational, legislative and public policy resource for tribes, policymakers and the public on Indian gaming issues and tribal community development.
country music press release

PRESS RELEASE: Valley Fever Prisoners Appeal to the Supreme Court

Valley Fever Prisoners Appeal to the Supreme Court

Fatal Valley Fever Fungus

Washington, DC (Law Firm Newswire) July 5, 2019 – 117 prisoners appealed to the US Supreme Court on Friday in an action challenging California’s failure to move them out of harm’s way during a 2004-2014 valley fever epidemic in Central California. The disease ravaged the population in two facilities, Pleasant Valley State Prison and Avenal State Prison. The lead defendant in the action is former Governor Arnold Schwarzenegger. His administration did nothing.

In cases that are not fatal, it causes a continuum of adverse health complications starting with impediments to breathing (such as choking, coughing blood and feelings of suffocation), skin lesions, erosion of bones and joints, blindness, and colonization of other organs particularly in the spine and brain. Death is usually by some form of meningitis.

During the epidemic, contraction rates spiked to 600 times the danger level experienced in the rest of the state. These risks were consistently 10-50 times higher than the surrounding geographical area, known as the “hyperendemic zone,” which was already itself 10 times more dangerous than other areas of the state.

Nevertheless, Governor Schwarzenegger’s administration did nothing, affirmatively ignoring the recommendations of its own health experts. As a result, over the course of 10 years, the disease infected thousands of people. Today, the plaintiff pool reports mass health devastation.

Half of the infected inmates have been released and are now private American citizens. These former prisoners have families and otherwise lead a reformed life. They paid their debt to society. But they are saddled for life with management, hospitalizations, medication side effects, and other complications. The state incurred a debt to them and it has not been paid.

Prisoner lawsuits began in 2007 in federal court in Fresno, California. The US Supreme Court’s 1993 decision in Helling v. McKinney, 509 U.S. 25, 33-34 clearly requires officials to protect prisoners from diseases, or upon such failure, to compensate them for the resulting medical expenses and misery. The epidemic here represents a textbook case of cruel and unusual punishment in violation of the Eighth Amendment.

As a result of their inaction, approximately $100 million of taxpayer money was wasted in treating valley fever cases that could have been prevented. California prison management has repeatedly been cited by the courts for its failure to run a safe and efficient operation, especially in the area of prisoner over-crowding and medical care. The medical system was placed under receivership in 2005 and remains so today.

During World War II, US authorities holding captured German soldiers in Arizona agreed to move them out of harm’s way from the risk of valley fever. At the same time, in 1940, a Stanford scientist published criteria and other safety rules to minimize the disease’s epidemic impact.

That was 80 years ago.

Yet, Schwarzenegger’s administration has successfully argued in this case that its officials did not know that valley fever presented a risk that required it to do anything. Numerous formal warnings, medical alerts, inmate protests, and expert recommendations given to officials from 2004-2007 – and standard common decency – counseled them to implement a battery of precautions, including moving at-risk prisoners out of the Central Valley prisons.

However, as a political matter, all that could be accomplished at the time was for California’s prison construction industry to not build any more beds in the hyperendemic zone. The national mass incarceration effort was still in effect.

Even in spite of direct warnings to Governor Schwarzenegger, he held a press conference in September, 2007 announcing that despite the pending and ongoing epidemic, the state would “go ahead and build.” Schwarzenegger was later quietly overruled, but nothing was done about the prisoners already in harm’s way.

In response to their subsequent lawsuits, California has insisted that without prior specific instructions relating to valley fever from the courts, and despite all the warnings, Schwarzenegger and his officials were entitled to stand idly by and watch the epidemic play out, with the most severe consequences landing on African-Americans.

Their argument is founded in a legal doctrine called “qualified immunity,” which means in practical effect total unaccountability. The plaintiffs’ case was dismissed on this basis without any discovery, without a jury, and without a trial. In any other context, epidemic danger as depicted in the photo above, in which a business, government or other institution subjects a population to dramatically-elevated health risk, would require a trial and undoubtedly result in liability.

In 2012, Cal-Trans ignored a valley fever risk for workers on a Kern County highway project. A jury returned a verdict for four of the victims in the total amount of $12M, or $3M each.

Given the magnitude of Schwarzenegger’s mistakes, the current California government structure is looking to find any loophole to avoid a jury and to avert responsibility for the quantum of harm and personal human wreckage the 2007 administration inflicted on the prison population.

According to their legal position, Schwarzenegger and his officials are entitled to qualified immunity because no court case previously informed them of exactly what to do about valley fever. Yet the Supreme Court had published Helling v McKinney in 1993, directing government officials to take reasonable measures to protect prisoners from significant diseases. The government works around Helling by claiming it was not specific enough.

This is akin to the state arguing that while it was notified as a traffic matter to avoid oncoming cars, it was not specifically warned to avoid oncoming Toyotas. Ergo, it should be held unaccountable for the head-on collision it caused with the inmates’ Camry.

It is a rocky contention at best, but one that has been validated by the Ninth Circuit to date and one that will probably not be corrected because of the Supreme Court’s impossibly busy docket. It only has the capacity to accept 1 percent of the cases presented to it.

For plaintiffs like Theodore Parker, it’s hard news to hear. Serving time in Pleasant Valley in 2010 for theft of a cell phone, he watched as other inmates became seriously ill. He pleaded with authorities to move him out. Those protests were met with pressure on him to abandon the grievance.

Soon he became infected as well, formally diagnosed in 2012 and released in June, 2014. Since then, he, his wife and his daughter have left California for a less controversial life in Portland. His youthful indiscretions are behind him, but he still lives with the disease. Last year alone, he was sick for eight months straight, coughing uncontrollably. Despite the prospect of a lifetime of complications, “the worst part of it was the psychological stress when they refused to move me.”

Despite the continuing challenges with the case, he and the other plaintiffs are resolute. Most filed their petition to the High Court on June 24, 2019 (Case No 18-1590), and if that fails, some like Parker can litigate their own round of appeals back at the 9th Circuit next year. Barring a change of heart by the Ninth Circuit, a second petition to the US Supreme Court will be filed in 2022, lasting another year or two.

If there is no luck in the American courts, the prisoners intend to press their case against Schwarzenegger and California prison officials in the United Nations, through approximately 2026. The argument there is that his administration committed acts of cruelty in violation of Article 5 of the UN’s Universal Declaration of Human Rights.

In summary, litigation over valley fever was initiated by prisoners twelve years ago, in 2007. By the time all of the victims are completely out of options it will be roughly 2026, or 19 years later.

For American businesses, governmental authorities and other institutions, the message is this. Upon detection of a risk of valley fever, or initiation of any outdoor industry in the hyperendemic zone of California and Arizona, the maximum number of precautions, including exclusion of high-risk persons and environmental suppression, should be implemented immediately and aggressively.

If farm workers, construction personnel, truck drivers, wards, or any other subordinates under a business or institution’s care get infected, the best case scenario is a lawsuit and possibly spend two decades in court, while the worst case scenario is that a lawsuit, and after five years in court, pay $3,000,000 per victim.

Benjamin Pavone, Esq.
Attorney for the Prisoners
619 224 8885
bpavone@cox.net

Contact:

PAVONE & FONNER, LLP
501 West Broadway, Suite 800
San Diego, California, 92101
Phone: 619 224 8885
Fax: 619 224 8886
Email: bpavone@cox.net
Website: https://www.pavone-fonner-llp.com/

seo company in riverside

PRESS RELEASE: O-I Announces Second Quarter 2019 Earnings Conference Call and Webcast

June 21, 2019

Source: Owens-Illinois, Inc.

FOR IMMEDIATE RELEASE

For more information, contact:
Sasha Sekpeh
O-I Investor Relations
(567) 336-5128
alexandra.sekpeh@o-i.com

O-I Announces Second Quarter 2019 Earnings
Conference Call and Webcast

PERRYSBURG, Ohio (Jun. 21, 2019) – Owens-Illinois, Inc. (NYSE: OI) has scheduled its second quarter 2019 conference call and webcast for Thursday, Aug. 1, 2019, at 8 a.m. EDT. The Company’s news release for the second quarter 2019 earnings will be issued after the market closes on Wednesday, Jul. 31.

What: O-I Conference Call and Webcast
Earnings presentation materials will also be posted on the O-I website, www.o-i.com/investors, when the earnings news release is issued.

When: Thursday, Aug. 1, 2019, at 8 a.m. EDT

Where: http://investors.o-i.com/phoenix.zhtml?c=88324&p=irol-calendar

The webcast will be archived at www.o-i.com/investors until Aug. 2020.

To participate in the event via conference call, dial 1-888-733-1701 (U.S. and Canada) or 706-634-4943 (International) by 7:50 a.m. EDT, on Aug. 1. Ask for the O-I conference call.

About O-I
At Owens-Illinois, Inc. (NYSE: OI), we love glass and we’re proud to make more of it than any other glass bottle or jar producer in the world. We love that it’s beautiful, pure and completely recyclable. With global headquarters in Perrysburg, Ohio, we are the preferred partner for many of the world’s leading food and beverage brands. Working hand in hand with our customers, we give our passion and expertise to make their bottles iconic and help build their brands around the world. With more than 26,500 employees at 77 plants in 23 countries, O-I has global impact, achieving revenues of $6.9 billion in 2018. For more information, visit o-i.com.

country music press release

PRESS RELEASE: Global Music Publishing Market Research Report 2019

The global Music Publishing Market research report studies market overview defining; definition, types, applications latest trends to identify the revenues and the progress of the market over the forecast period. The report offers preventive and premeditated management along with emphasizes the summary of the global Music Publishing market along with classifications and market chain structures. It also highlights authorized statistics of the global Music Publishing market.

Get a Sample PDF Report: https://www.acquiremarketresearch.com/sample-request/113470/

Improvement approaches and plans are examined just as assembling procedures and cost structures are additionally investigated. This report likewise states import/trade utilization, free market activity Figures, cost, value, income and gross edges. The report centers around Global real driving Music Publishing Industry players giving data, for example, organization profiles, item picture and determination, limit, generation, value, cost, income and contact data.

Based on products type, the report describes major products type share of regional market. Products mentioned as follows: Major-Type, Independent-Type, Administrator-Type

Leading vendors in the market are included based on profile, business performance etc. Vendors mentioned as follows: Sony Music Publishing LLC, Universal Music Publishing Group, Warner Music, Fox Music Publishing, Super Cassettes Industries Private Ltd, Kobalt Music Group, Broadcast Music, Disney Music, Avatar Publishing, MPL Communications

Based on Application, the report describes major application share of regional market. Application mentioned as follows: Commercial, Commonweal, Others

Music Publishing Market
The fundamental purpose of this Music Publishing market report is to provide a correct and strategic analysis of the Profile Projectors industry. The report scrutinizes each segment and sub-segments presents before you a 360-degree view of the said market.It provides a deep insight into the industry parameters by accessing the market growth, consumption volume, the upcoming market trends, and the different prices variation for the forecast year.

The research methodology of the market involves both primary as well as secondary research data sources. It commits different factors affecting Music Publishing industry such as market environment, various policies of the government, past data and market trends, technological advancements, upcoming innovations, market risk factors, market restraints, and challenges in the industry.

Get Discount on this Report: https://www.acquiremarketresearch.com/discount-request/113470/

The report grants knowledge on the accompanying pointers:

– Market Penetration: Comprehensive data on the items collection of the top players in the Music Publishing market.

– Product Development/Innovation: Detailed knowledge on the forthcoming advances, R&D actions, and product dispatches in the Music Publishing market

– Competitive Assessment: top to bottom appraisal of the market systems, geographic and business sections of the main players in the Music Publishing market

– Market Development: Comprehensive data about developing markets. This report breaks down the market for a different area overall topographies

– Market Diversification: Exhaustive data about new items, undiscovered topographies, late advancements, and capital exposures in the Music Publishing market

With tables and figures broken down on worldwide Global Music Publishing market, this research gives key measurements on the condition of the business and is a profitable wellspring in direction and course for organizations and people intrigued by the market.

For compiling the report, data has been derived from a number of paid and unpaid sources such as presentations, white papers, journals, and press releases. It offers in-depth information obtained through extensive primary and secondary research methods. The information has been further assessed using various effective analytical tools. Therefore, the report provides a 360-degree view of market.

Read Complete Report With TOC: https://www.acquiremarketresearch.com/industry-reports/music-publishing-market/113470/

At last, It includes the methodical description of the various factors such as the Music Publishing market growth and a detailed information about the different company’s revenue, growth, technological developments, production and the various other strategic developments.

seo company in riverside

PRESS RELEASE: Statement from the President Regarding Emergency Measures to Address the Border Crisis

As everyone knows, the United States of America has been invaded by hundreds of thousands of people coming through Mexico and entering our country illegally.  This sustained influx of illegal aliens has profound consequences on every aspect of our national life—overwhelming our schools, overcrowding our hospitals, draining our welfare system, and causing untold amounts of crime.  Gang members, smugglers, human traffickers, and illegal drugs and narcotics of all kinds are pouring across the Southern Border and directly into our communities.  Thousands of innocent lives are taken every year as a result of this lawless chaos.  It must end NOW!

Mexico’s passive cooperation in allowing this mass incursion constitutes an emergency and extraordinary threat to the national security and economy of the United States.  Mexico has very strong immigration laws and could easily halt the illegal flow of migrants, including by returning them to their home countries.  Additionally, Mexico could quickly and easily stop illegal aliens from coming through its southern border with Guatemala.

For decades, the United States has suffered the severe and dangerous consequences of illegal immigration.  Sadly, Mexico has allowed this situation to go on for many years, growing only worse with the passage of time.  From a safety, national security, military, economic, and humanitarian standpoint, we cannot allow this grave disaster to continue.  The current state of affairs is profoundly unfair to the American taxpayer, who bears the extraordinary financial cost imposed by large-scale illegal migration.  Even worse is the terrible and preventable loss of human life.  Some of the most deadly and vicious gangs on the planet operate just across our border and terrorize innocent communities.

Mexico must step up and help solve this problem.  We welcome people who come to the United States legally, but we cannot allow our laws to be broken and our borders to be violated.  For years, Mexico has not treated us fairly—but we are now asserting our rights as a sovereign Nation.

To address the emergency at the Southern Border, I am invoking the authorities granted to me by the International Emergency Economic Powers Act.  Accordingly, starting on June 10, 2019, the United States will impose a 5 percent Tariff on all goods imported from Mexico.  If the illegal migration crisis is alleviated through effective actions taken by Mexico, to be determined in our sole discretion and judgment, the Tariffs will be removed.  If the crisis persists, however, the Tariffs will be raised to 10 percent on July 1, 2019.  Similarly, if Mexico still has not taken action to dramatically reduce or eliminate the number of illegal aliens crossing its territory into the United States, Tariffs will be increased to 15 percent on August 1, 2019, to 20 percent on September 1, 2019, and to 25 percent on October 1, 2019.  Tariffs will permanently remain at the 25 percent level unless and until Mexico substantially stops the illegal inflow of aliens coming through its territory.  Workers who come to our country through the legal admissions process, including those working on farms, ranches, and in other businesses, will be allowed easy passage.

If Mexico fails to act, Tariffs will remain at the high level, and companies located in Mexico may start moving back to the United States to make their products and goods.  Companies that relocate to the United States will not pay the Tariffs or be affected in any way.

Over the years, Mexico has made massive amounts of money in its dealings with the United States, and this includes the tremendous number of jobs leaving our country.

Should Mexico choose not to cooperate on reducing unlawful migration, the sustained imposition of Tariffs will produce a massive return of jobs back to American cities and towns.  Remember, our great country has been the “piggy bank” from which everybody wants only to TAKE.  The difference is that now we are firmly and forcefully standing up for America’s interests.

We have confidence that Mexico can and will act swiftly to help the United States stop this long-term, dangerous, and deeply unfair problem.  The United States has been very good to Mexico for many years.  We are now asking that Mexico immediately do its fair share to stop the use of its territory as a conduit for illegal immigration into our country.

The cartels and coyotes are having a greater and greater impact on the Mexican side of our Southern Border.  This is a dire threat that must be decisively eliminated.  Billions of dollars are made, and countless lives are ruined, by these ruthless and merciless criminal organizations.  Mexico must bring law and order to its side of the border.

Democrats in Congress are fully aware of this horrible situation and yet refuse to help in any way, shape, or form.  This is a total dereliction of duty.  The migrant crisis is a calamity that must now be solved—and can easily be solved—in Congress.  Our broken asylum laws, court system, catch-and-release, visa lottery, chain migration, and many other loopholes can all be promptly corrected.  When that happens, the measures being announced today can be more readily reduced or removed.

The United States is a great country that can no longer be exploited due to its foolish and irresponsible immigration laws.  For the sake of our people, and for the sake of our future, these horrendous laws must be changed now.

At the same time, Mexico cannot allow hundreds of thousands of people to pour over its land and into our country—violating the sovereign territory of the United States.  If Mexico does not take decisive measures, it will come at a significant price.

We therefore look forward to, and appreciate, the swift and effective actions that we hope Mexico will immediately install.

As President of the United States, my highest duty is the defense of the country and its citizens.  A nation without borders is not a nation at all.  I will not stand by and allow our sovereignty to be eroded, our laws to be trampled, or our borders to be disrespected anymore.

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PRESS RELEASE: Materia Collective is excited to release EXILE: A Tribute to Supergiant Games, a super giant cover album with 49 tracks across a multitude of genres and including several game industry guest talents

SEATTLE – May 31, 2019 – Materia Collective is excited to release EXILE: A Tribute to Supergiant Games, a super giant cover album with 49 tracks across a multitude of genres and including several game industry guest talents. Featuring the music of Bastion, Transistor, and Pyre, all composed by Darren Korb and tied together by the unifying theme of protagonists who are outcasts, EXILE touches on everything from big band, acapella, cosmic space rock, ’90s grunge, string quartets, brass quintets, hard rock and a number of fantastic choir arrangements. Featured talents include the Videri String Quartet, composers Stemage (Steven Universe, Bubsy: Paws on Fire!) and John Robert Matz (For the King, Fossil Echo), and many others. The album is licensed and available wherever digital music is sold:

 

EXILE: A Tribute to Supergiant Games on all Storefronts

 

“The videogame community has a lot of love for Supergiant Games, and not without good cause,” comment album producers Brian Diamond and Stephen Robert Froeber. “The genres and gameplay of their games run the gamut and we wanted to reflect the diversity of those styles in our musical tribute to the original material.

Nearly 50 arrangers and over 120 collaborators have converged to show their love for the games. We hope everyone enjoys listening as much as we enjoyed creating it.”

 

Some of the album highlights include: a stunning choral rendition of “Mother, I’m here” from Bastion, a gorgeous and visceral cover of “We All Become” from Transistor in the form of 90s grunge and hard rock a la Garbage, and the virtuosic live ensemble performance of “Path to Glory” from Pyre by the Videri String Quartet.

 

Learn more about EXILE: A Tribute to Supergiant Games:

https://www.materiacollective.com/music/exile-tribute-to-supergiant-games

 

About Materia Collective

 

Materia Collective is a Seattle-based videogame music publisher and label, representing an international array of renowned video game musicians, composers, and songwriters. The collective supports its members with the financial, legal, logistical, and creative aspects of bringing videogame music into the forefront. The company has become known within the industry as a representation of highly innovative game music endeavors that move and inspire.

 

Learn more: http://www.materiacollective.com

Follow Materia Collective on Twitter, Facebook, YouTube and SoundCloud

 

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Producers Brian Diamond and Stephen Robert Froeber are available for interview.

A press kit containing the album for review is available upon request.

 

Media Contact

 

Jayson Napolitano, Scarlet Moon Promotions

jayson@scarletmoonpromotions.com